#in any of the other roles that he plays

[iwritenarrativesandstuff]

Suddenly remembered something I wanted to say re:Akechi, because I think it's really core to his character (at least the way I interpreted him?) and I feel like it explains a lot of his contradictions. Essentially, he is incapable of seeing himself as just a person - he's either the greatest hero/detective ever, or he's some violent monster, and it's like there's no in-between. It's very in keeping with his obvious superiority-inferiority complex, but it goes deeper than that too; when he's in a role, it seems like his self-perception kind of changes too depending on how he is perceived by others. He really does get a confidence boost from being the Detective Prince. He really does shut down emotionally as the Black Mask.

They're masks that he's made, and it's not that aspects of them aren't based in truth to some extent, but I think it goes to show why he's not actually that fantastic a liar (imo, I found the outright lies pretty obvious), but he is a very good actor. He's either an angel or a demon, and never a person, but there are conditions to that. He is an angel when he is perfect - to society. He is a demon when he is vengeful - again, to society. He is never a person, because he never was seen as one - to society. He was disregarded. To be anything of value or notoriety, whether that's hero or villain, he has to be wildly more or less than who he actually is, and he's been building these masks up for so long that I really think he lost sight of the actual person behind it all. And I don't think he wanted to see that person anyways, because that person "wasn't good enough" and I do think he'd rather be anything other than himself. That trickery, that deflection from the person within, in itself brings him pride and satisfaction. He wants to be loved and needed instead of being cast aside, but I also think that if he can't have that then he'd much rather be hated than never have mattered at all. He weaponizes his own loneliness - if he can't ever be accepted then he'll build his own pedestal apart from everyone else.

It's so fascinating too, because I just wonder how much of this he was consciously aware of pre, during, and post engine room. There's this recurring thing with him where he goes "I can only be myself" etc but I just want to shake him because, well, who is that, Akechi??? Or, who do you think that is? Do you actually have an answer? Is it predicated on your actual feelings or solely on your success at fooling everyone around you? Is there any part of you that you actually like that isn't based on a painstakingly constructed mask? Isn't it all mostly lies to deflect from the truth? Isn't it all founded mostly on truth, nonetheless?

It drives me insane. And I think this is a big reason why he breaks so hard in the engine room, because so much of his mask requires his "audience" to perform in a particular way. And here he is, and the Thieves have beaten him, so there goes the first mask, because he's no longer "perfect". He swings wildly into the ugliest sides of him, but this mask is broken too, amidst him vehemently and desperately denying that he has any other emotions than hatred and rage, or any other needs or desires than vengeance. And after that, it's just him. And they should reject him, right? That's what happens. He's not useful, he's not needed or perfect, his hands are stained with blood. But the Thieves, again, don't play the role he expects them to. They, despite everything, relate to him - because he is in fact very similar in a lot of ways and they acknowledge him as a person - not a hero, or idol, or villain, or tool, or unwanted child - but as a damaged teen like the rest of them. And he does not know what to do with that. His identity is intrinsically dependent on getting the right reactions from other people as a form of ingratiating himself - if he does not get that reciprocal reaction he's looking for, his act falters, and, I really do believe that so does his self-perception. That's why you see different aspects of him seep out when he's spending time with Joker, because Joker does not react the way he expects, and Akechi both does and does not like this, because it leaves him feeling both intrigued and vulnerable.

I do think this particular aspect of his character is something a lot of the Thieves don't fully grasp - certainly, I think Joker "I need the mask" Persona 5 understands to a degree, but the sheer degree of reliance and the level of pride attached to it is something that confuses him a little, I think, especially in Mementos Mission. I think the thief that comes closest is actually Morgana, who has a similar superiority-inferiority complex and a desperate need to be seen as competent and useful lest he be discarded. (This is a big part of why the rather lackluster writing with Morgana's arc frustrates me so much because I really do feel it was meant to be contrasted with Akechi's, but I digress.) Morgana is the one to make that emotional appeal to Akechi, which makes a degree of sense - Morgana struggled all along with finding a place in the world. His form leads others to underestimate him; he visually doesn't fit in. He's acting out the role of a chivalrous and cool phantom thief but is more pragmatic with how he views relationships, at least at first. He wants a place to belong where he is appreciated more than anything but his pride won't let him spit it out. Accepting that he belongs and that he is loved even if he really did have nothing of value to provide is a big part of the resolution of his arc. He tries to offer that learned lesson to Akechi in turn ("Follow your true feelings. Even if you think people hate you, or don't want you around-"), but Akechi just wasn't in the right space to listen. There's also an important distinction between the two - Morgana envies humans and looks up to them. Akechi envies humans and looks down on them. Morgana is perfectly happy once he is assured a place amongst the group, but Akechi see-saws wildly between wanting to belong and wanting to be a step above the rest and separating himself further. So while Morgana actually really did cut to the core of the issue, his appeal would never have worked at this point because a) Akechi's pride is dependent on him maintaining his solo act, and b) he just got outed as not actually hating Joker in front of seven other people including Joker himself lmao.

So, uh, sorry, Morgana. Points for trying.

[silverview]

reece characters getting called little ¯\_(ツ)_/¯

[milquetoad]

of the many injustices put forth toward the show by fans i think the most overall damaging and telling of a complete lack of critical viewership is the idea that sam riegel builds his characters with nothing more than the bit in mind. like you are only telling on yourself if you think characters like scanlan shorthalt and veth brennato are one-dimensional and depthless

[zeb-z]

no ok because forevers solo mission into the nether and all the vague ‘if I don’t return’ and ‘I’m sorry’ messages he’s left behind is made all the more heart wrenching because he wasn’t meant to be the martyr.

bad has been setting himself up for tragedy. it’s in the self destructive choices he makes, his hyper paranoia, his self isolation, the way he’s literally turning blue and can’t seem to notice it himself. and from a meta perspective, it’s obvious - he talks about lasting consequences, he makes very clear framing and music decisions, the story arc has been setting up for something big. he’s got a book that says it’s for forever’s eyes only and hinted at him needing his help. he’s said to tina that he’s 100% sure of one person ending up dead at the end of all this. he’s made it clear he’d do anything he thinks would get the kids back - self sacrifice included.

it’s been an anxious build up as bad gets worse and worse. as his friends pick up clues and notice. bagi says she knows that bad lies and can cause havoc, but she’s not going to leave his side because he is too sad to be left alone. foolish takes note of his color blindness before anyone else. forever demands his time and reassures bad daily that he is there for him. gives him a flower every day. makes an entire party just showing how much bad is cared for and loved. keeps talking and visiting even when he’s ripping out his hair with annoyance because bad just won’t quit being a nuisance, or argumentative, or a probable kidnapper.

it feels like love and doomed endings. it feels like a build up to something tragic. it feels like trying to save a drowning man who won’t let anyone pull him up. because bad is ready to work for the feds, torture people, burn down anything in his way, sacrifice himself in his desperation and grief.

but now its forever who’s gone and decided any danger to himself is worth it for his son. who’s left behind vague goodbyes and see you soons, unsure if he’ll survive but set on the kids surviving at the very least. he’s already decided his death is worth it.

and while it’s not a surprise, it’s enough of a script flip to punch us all in the gut. because we expected tragedy, we expected uneasy goodbyes and self destructive choices and that effect felt across the island - but we didn’t expect it to be forever.

and neither did bad - who relied on that flower every day

[starry-bi-sky]

hi I saw your post about hadestown and bingge and I'm frothing at the MOUTH. I think like how shen yuan started hyperfixating on pidw bingge just fuking becomes a number 1 fan for the performance troupe. What other performances do you think Shen Yuan will xianxia-ify?

SAME. Aaaaaa im so glad you liked that post, im in a similar state over it <33 Bingge went in expecting a vaguely entertaining but ultimately mediocre show and instead got fucking SCALPED. Like instantly obsessed, unable to go back to the way he was before, completely unhinged <3

And aaaurrgh I have this design idea for the Hades actor where throughout the whole show, Hades is wearing a mianguan with so many beads hanging over the front of his face that you couldn't see anything above his mouth. His upper face completely obscured by his crown and the jewels/beads hanging from it. The picture of an untouchable, terrifying, powerful emperor.

But during Epic III, when Orpheus sings the first "la la la", Hades bellows "Where'd you get that melody!?" as he stands from his throne in rage. As he does, his mianguan falls from his head to the ground, revealing the full of his face for the first time. Revealing the face of an angry, scared man.

He doesn't put the mianguan back on for the rest of the show, and he's so expressive that it's no wonder he wore the mianguan all the time.

and as for your ACTUAL ask -- nothing too modern gets xianxia-fied! Hadestown was easy because it already had mythical elements due to being another myth. He just had to rewrite it in a way that would make sense in PIDW. And he doesn't xianxia too many musicals i think, some of them require too much outside context that would be too hard to translate.

Epic I think would be one that gets xianxia-fied, although that's one of the trickier musicals because Jorge has very specific musical motifs behind each character that makes it hard to translate into PIDW -- Hermes' is associated with the harp and the lyre but every time he's in a song he also comes with a very techno-disco-y (???) beat. Plus a lot of other technical aspects as well -- Scylla is the first to come to mind -- that SY's troupe doesn't have the manpower or funds for.

I think it could happen, though! It's just rather tough and it helps fuel SY's decision to keep the musical adaptations to a minimum AND to use musicals that aren't super modern. Hunchback of Notre Dame I think SY could get away with xianxia-fying. Anastasia too. I don't know many plays so I can't say what plays he could xianxia-fy, but he DOES write stage adaptations for some of the stories he tells his troupe, and finds that he really likes it!

It's surprisingly fun coming up with roles, lines, story beats, etc, trying to figure out how he could make this into that. Writing is fun, and the mental challenge that comes with even more so. He loves it!

He makes a stage play telling the story of Hades and Persephone -- albeit altered to fit into Hadestown, rather than the original tale.

And eventually he starts making up his own stories as well -- retellings of myths from PIDW and his world, and things he made up himself to tell certain messages. Rarely does he play a major role in any of these stage plays themselves -- much to Bingge's dismay. It's too much attention for his poor thin face to take! He most often just plays Orpheus. He prefers to stay behind the scenes during plays.

But you can always find him outside the theater when his troupe is in town! If they're not preparing for a stage performance, SY loves going out to tell stories to a crowd! It brings him a lot of joy to watch them sit on the edge of their seats, hanging on to his every word. He especially loves telling stories to children, they get so excited and their interruptions can get annoying sometimes, but its endearing.

And oh, he does love to sing. He's just so very shy about it. It's a miracle that his troupe managed to convince him to be Orpheus -- but that's probably why they waited until opening night to do it. People get so weird when he sings -- it makes him self-conscious. So he only sings when he's alone or around his troupe while on the road.

Oh yeah no, Bingge is OBSESSED with this group. Specifically one mister Shen Yuan who looks so very much like his old teacher, but ISNT him. He's not sure if Shen Yuan is a descendant of Shen Qingqiu's family line, or straight up the man's reincarnation, but at this point he doesn't actually care that much he just needs the man's attention.

It's actual so funny I think. I don't think fan merch exists in PIDW which is a problem, because Bingge WILL resort to stalking. He's going to orchestrate a fan meeting with SY mark his fucking words. He has to see what this man is like when he's not on stage -- is he as pure as the character he portrays? Or is he as rotten as the face he wears.

(It turns out to be the former, and Bingge doesn't know what to do about it. Kidnapping is high on that list. It is SO high on that list.)

[mando-abs]

Guys, I’ve read the Wild Robot

And let me tell you, if I hadn’t recently taken a Children’s Literature class in college, I would’ve said this was the best middle-grade book I’ve read since elementary/middle school. I almost read this book in one night (I was sleepy 😴) like I couldn’t put it down.

The heart behind this book is astounding and it never shies away from showing complex and difficult concepts. You will fall in love with Roz and her gosling son along with all of the other animal on the island.

If you’ve got younger ones, I highly recommend reading this to them or having a little book club moment with them. However, be prepared for whatever hard questions may come your way (i.e. circle of life and climate issues). You know your child and how much they can handle/understand. If you’re like me and much older, it’s a quick read and a great way to finish off a long day. It’s a part of a trilogy and you bet I’m patiently waiting for my hold on a copy at the library.

If the movie is anything like the book (which, given a rewatch of the trailer, it’s looking like so), we are in for a special treat.

[peachblossomdrama]

Shy

[crypt1dcorv1dae]

I thinks he's been drinking that Gender Fluid, personally speaking

[digitalcarcrash]

a good 90% of the characters kyle gallner plays could be fixed if they just got dicked down

[chokulit]

i think thistle is the truest version of a poor little meow meow

[fluentisonus]

contemplating something abt these two bits together

[sukibenders]

One of Rhaenyra's biggest opps (in HOTD) really was her own father. Because how are you going to proclaim your daughter as heir, only to then marry her best friend and have four kids, three sons, in an environment that is against women already as is but even more so with one sitting on the Iron Throne? And then, not only, do you not prepare her for anything political but scold her publicly, which isn't good for her image, and just....hardly do anything to aid her until you're on your last leg? And yet there are still fans saying he was a "great dad" and that he "did all he could". HA, I THINK NOT!

[doyelikehaggis]

7 Days of Scarepairs: Blam | Blaine Anderson x Sam Evans (Glee) + “Vampire”

Requested by Anonymous

"I have to compel you. If anyone found out-"

Sam stared back at him, his eyes as big as saucers. "Who would believe me? I don't even think I believe me."

"Trust me," Blaine said gravely, "plenty of people around here would believe you, and that wouldn't end well. For anyone. It's not just me."

Sam got out of his chair. "Wait, there are others? Like, here? In Lima?"

Reluctantly, Blaine nodded. He knew shouldn't be telling him any of this. It was too much of a risk. He should compel him now, like Mr Schue told him to.

But then he caught a glimpse of Sam's face. He was grinning from ear-to-ear as he sank back into the chair and shook his head. He looked up at him.

"This is so cool."

"It's really not," Blaine tried to protest.

"Dude, you're a freaking vampire!" He glanced around them, his face taking on a more serious look as Blaine motioned for him to keep his voice down. "Sorry. It's just... I don't understand. You're this awesome, supernatural being with awesome powers. You're like a superhero."

Every disadvantage and negative side to it rolled right back down Blaine's throat. His mouth quirked and Sam's grin widened.

"I guess, in a way..." he said, his brow furrowing. "Wait, you like superheroes?"

"Are you kidding? I love them," Sam said with barely contained excitement but, to his credit, he managed to keep control of his volume. His eyes grew impossibly wider and he was out of his chair again, standing in front of him. "Could I be your human sidekick?!"

The answer to that question should, undoubtedly, be a resounding no. Letting him keep his memories was bad enough. But actually involving him in any of it? Mr Schue would never let it slide.

He opened his mouth to shoot him down, but... he just couldn't bring himself to do it. The truth was, it was a pretty lonely existence. He'd only been a vampire for two years, but he barely had anyone to talk to anymore. His parents didn't want to know him. It was better they forgot about him entirely and went on pretending he had actually died that night.

Even his brother was better off like that.

Sure, he had a few friends at Dalton, and they knew what it was like, but... he was still really lonely. They had all gotten used to in their own ways, but he never could. Mr Schue was always telling him he couldn't have human blood because of the ripper gene, so he couldn't exactly tag along with David and Jeff when would sneak out.

He never even talked to Kurt about it because he thought it might freak him out too much, with all the history between witches and vampires, and now he wasn't even there anymore anyway.

He felt completely alone, even in his own world.

But here was Sam, looking at him like he was the coolest person he had ever met. Asking to be his friend. He wasn't afraid of him or what he might do, not like everyone back at Dalton or Mr Schue.

"I'm sorry." He sighed as Sam's face fell. "It's too dangerous. I need to make you forget all of this."

Sam pressed his lips together and nodded. "Can I just ask one thing? Don't take everything away."

Blaine opened his mouth, already shaking his head, but Sam lifted his eyes to him, freezing him to the spot with his next words.

"Leave the part where we met today."

Sam took a deep breath and nodded one more time, letting him know he was ready, even if he wasn't really. And he wasn't the only one.

He couldn't do it. He couldn't make him forget.

Worse than that: he didn't want to.

[transmascutena]

thinking about how akio sees his younger self in utena and wondering if there's any fondness there. doesn't change the horror of what he does to her obviously but i do wonder

[userautumn]

through no fault of his own, i think sebastian stan might have actually tanked his career with the apprentice

[mc-critical]

1.10 / 1.09